The Bamboo Crop Discovers America

Bamboo plantations are beautiful to behold.

Perhaps one gateway out of America’s economic doldrums will come in the form of a boom – call it a bamboo boom, if you wish. What once was simply regarded as only a tropical and oriental product now has a growing number of people interested in what it might yield as both a green crop and a cash crop.

More than a year ago, Popular Mechanics writer Harry Sawyers noted put it this way: “Bamboo has come into vogue as a green, sustainable resource that’s used for everything from cutting boards to clothing to wood floors. But until now, almost all of the bamboo in products sold here has come from overseas. That could change soon, as new planting techniques may lead to millions of new acres of bamboo shoots in the American South.”

Some agricultural visionaries even wonder if plants like bamboo can revitalize farmland on the Mississippi Delta.

The American Bamboo Society (ABS), formed in 1979, counts over 1,400 members living throughout the U.S. and in 37 other countries. For those who are interested, the ABS issues a bimonthly Magazine and the Journal to disseminate information about the use, care, propagation and beauty of bamboo.

Many regard bamboo as a wood product, due to its hardness and durability, but in reality it’s a large grass. Considered the largest of the grasses, there are over 1600 species of bamboo, 64 percent of which are native to Southeast Asia. Thirty-three percent grows in Latin America, and the rest in Africa and Oceania. In non-tropical North America there are just three native species of bamboo. Compare this to the 440 species that are native to Latin America, points out Master Garden Products.

Bamboo varies in height from dwarf, one-foot (30 cm) plants to giant timber bamboos that can grow to over 100 feet (30 m). It grows in many different climates, from jungles to high on mountainsides. Bamboos are further classified by the types of roots they have. Some, called runners, spread with a flourish, and others are classified as clumpers, which slowly expand from the original planting.

If interested in more about the plant, read author Paul Schneider. He has written prolifically about his love affair with bamboo, providing a cornucopia of information about growing the grass in colder climes. Schneider writes

“Bamboo has proven to be an aesthetic asset to our garden here in Cambridge, New York (north of Albany on the Vermont border; confirmed Zone 4). It mixes well with many other plants both perennial and annual. Depending on the species, it can be used as a tall or medium background plant, a “statement” plant or as a low border or ground cover plant.”

According to Patrick Malcolm, Golden Bamboo was the first of the Phyllostachys bamboo cultivars to be introduced into the United States, in 1882. In Alabama, bamboo was grown as a fast growing windbreak by southern tobacco farmers.

The poles from the golden bamboo have probably landed more fish in the southeastern U.S. than any other means of fishing, hence the name, fishing pole bamboo.

There are fundamental ROI issues, writes Sawyer: “But getting the revenue flowing could prove to be the biggest obstacle. Unlike cotton, which promises a return on investment at the end of a single growing season, bamboo crops must mature for three or four years before they’re ready for the first harvest.”

The wait sounds worth it.

Photo: American Bamboo Society

ITALY BY iphone; Our photographer left his bulky equipment behind to capture the beauty of Italy using only his smartphone. That makes him a smart man.(TRAVEL)

Star Tribune (Minneapolis, MN) February 12, 2012 Byline: RICHARD SENNOTT; STAFF WRITER A still life of pears, glistening in a rich Italian light straight out of Caravaggio. Human shapes silhouetted in a shaft of sunlight against the darkness of an Umbrian church. A neighborhood girl in a playful moment. A line of old men sitting in a park, enjoying the warmth of the Umbrian sun. in our site iphone 4s features

I captured all these moments with an iPhone 4. They are products of my photographic journey to record daily life in the hill towns of Umbria and Tuscany using only the camera built into my smartphone. Though I am a Star Tribune photographer and have all the equipment required of a professional, what little I had brought with me mostly stayed in the hotel room. It seemed fitting to capture Italy using a camera developed by Steve Jobs, the Leonardo Da Vinci of our generation.

For travelers, snapping photos with a phone may be the best way to bring home vacation memories: nothing heavy strapped around your neck, no fear a camera will be stolen, no worries it will mark you as a tourist. When you happen upon a lovely scene, after all, the best camera is the one you have with you — and we almost always have our phones.

Like other smartphones on the market, my iPhone astounds me with its capabilities. It handles the dark interiors of churches and landscapes of chalky Umbrian roads under brilliant blue skies. It manages low-light situations well, a point proven with images I took when I happened upon a religious procession on the narrow streets of Orvieto.

The images are 5 megapixels, as large as those shot with a medium- to high-end point-and-shoot. The “tap” focus and exposure feature lets me control which part of the image shows most sharply, whether the subject is centered or not. Once I’ve framed a shot, I just touch my finger on the section of the image I want to highlight, and the camera adjusts accordingly before I click the shutter.

The iPhone 4 also has a “geo-tagging” option that, when turned on, records the longitude and latitude coordinates of where the photo was taken, as well as the date and time.

One of my favorite options is “HDR,” an acronym for High Dynamic Range. This creates three exposures and overlays the best values from each to yield a sharper and better exposed image. I used it to make most of the photographs on these pages.

Plenty of other smartphones — such as the Motorola Droid 2x and the Droid Incredible 2 — offer the same kinds of features and file size. The newly released iPhone 4S features a better lens than the one on my iPhone and takes 8 megapixel images. All of these phone cameras capture a scene as well, if not better than, most standard point-and-shoot cameras and are just as easy to use.

Operation of the iPhone 4 camera reminds me of my first Eastman Kodak Brownie camera, circa 1968. In HDR mode, I need to wait about 5 seconds between shots, about the same amount of time it took to crank the film advance knob on my old Brownie. Given the delay, I found myself waiting for the right moment to shoot, an old-school lesson in patience and focus that is a good reminder to any photographer, professional or amateur. web site iphone 4s features

Advances over the years Throughout the history of photography, image-making has been defined by the technical limitations of the camera. There is a reason the sun shines on both sides of buildings in the first photo ever taken, by Frenchman Joseph Nicephore Niepce in 1826. It’s because the exposure was eight hours long. Early photographers were like sorcerers operating under dark capes with imposing box cameras on tripods. Today, technical limitations are almost nonexistent.

Now we have smartphone cameras, with their small size, convenience and ability to record thousands of still images and shoot high-definition video. They have so many additional functions and applications — from a compass and alarm clock to a language translator and GPS, not to mention a phone for chatting with your friends — that I consider them the Swiss Army knife of pocket cameras.

During my travels, I discovered only one downfall to shooting with a smartphone. When we don’t know the language, photographers ask with our eyes and a gesture. I find that the question “Can I take your picture?” is understood the moment I mimic pushing the shutter with an index finger whenever I have a couple of Nikons around my neck. But asking with your iPhone requires a new and different dialogue between photographer and muse. It’s not always clear what you’re asking.

After a while, I found that if I took a picture and then showed it to the subject, as I could with an old Polaroid, my intention, not to mention my legitimacy, was understood.

Sometimes an image would elicit “ahhs” and even a few expressions of “bellissimo!” or “molto bello,” which both roughly translate as “very beautiful.” I guess that’s what every photographer is going for, ultimately. But it always sounds so much nicer in Italian.

Richard Sennott holds photography workshops in the Midwest and in Italy (www.travelerseyeworkshops.com).

APPS FOR THE PHOTOGRAPHER Camera applications can be great fun to play with and cost less than a cup of coffee. Here are my two favorites:

Hipstamatic: This application is based on Russian toy cameras and offers a choice of “lenses” and “film types” that conjure a range of looks for your images. The resulting photographs often take on a vintage feel. It is made only for iPhones ($1.99).

6X6: If you like the classic square images produced by 120 roll-film cameras such as Hasselblad or Rolleiflex, this is the app for you. The simple format produces beautiful square images. Also available for Android phones(99 cents).

A good roundup and reference source of iPhone photo apps can be found at the Next Web site. Check out its 30 favorite apps at www.startribune.com/a1020.

RICHARD SENNOTT

 

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About Glenn Meyers

A writer, producer and director, Meyers is editor and site director of Green Building Elements, a contributor to Clean Technica, and founder of Green Streets MediaTrain, a communications connection and eLearning hub. As an independent producer, he's been involved in the development, production and distribution of television and distance learning programs for both the education industry and corporate sector. He also is an avid gardener and loves sustainable innovation.

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